Showing posts with label lou's Clues. Show all posts
Showing posts with label lou's Clues. Show all posts

DONT LEAVE HOME WITHOUT IT: what's in my camera bag?

Wednesday, February 27, 2013




We have all found ourselves slogging through swamps, soaking wet, cursing mosquitoes and the heavy camera bag we are lugging. RIGHT? Or scaling the side of a snow covered mountain and swearing to yourself about the load of lenses obeying the laws of gravity? I have. It gave me the idea for this blog.


Scoliosis is a medical condition in which a person's spine is abnormally curved. It can be congenital or caused by disease but my doctor tells me mine is from many years of carrying my photography equipment on my left shoulder.

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Q&A: How To Get A Gallery Show

Wednesday, September 5, 2012


 Recently, an established photographer contacted me looking for advice on how to find a gallery that will show his work and the kind of work to submit, as he has spent many decades photographing portraits, furniture, architecture and more.

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Hey Rube! Carnivals Circuses Fairs

Tuesday, August 14, 2012












Recently, "This American Life" on National Public Radio (NPR) did a broadcast episode about carnivals. It brought back cobwebs of memories. I was no older than eight. My parents imagined giving my sister and me the "Leave It to Beaver" summer family vacation experience. We traveled to Wildwood, New Jersey. 
 

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One Penny Post

Tuesday, May 8, 2012



 In photography’s infancy first came the carte-de-visite.  A fashionable gentleman would make a social call and leave his picture card on a silver tray in the parlor.  Then in the 1850s, after Napoleon iii posed for his formal portrait, they became all the rage.  During the Civil War, photographers documented families for posterity. The small albumen prints gained tremendous momentum as soldiers marched off to battle.  Millions were sold.  They were sent in great numbers at the height of European colonialism.

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31 Street Photography Tips and Tricks: Part 2

Friday, June 10, 2011

 To read Part one of this series go Here...



"I only know how to approach a place by walking.  For what does a street photographer do but walk & watch & wait & talk, & then watch & wait some more, trying to remain confident that the unexpected, the unknown, or the secret heart of the known awaits just around the corner."
                                                    --Alex Webb

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31 Street Photography Tips and Tricks: Part 1

Wednesday, May 11, 2011



When my father was alive he used to tell me the hardest feat in sports was to hit a 95mph fastball.  I am not sure I agree but it certainly takes an immense amount of coordination.  The equivalent feat in art might be street photography; more difficult than painting, writing, dancing, even music.  Anyone can hit a single once in a while but it requires combining a lot of skills & techniques to “hit” for average as well as home-runs.

Photographing strangers is a challenging undertaking.  Being confronted with the moral dilemma of “stealing” a picture of someone without their permission or to engage them, alter the reality &, therefore, lose all veracity, is comparable to juggling several balls in the air.  At the same time trying to fashion a reasonable but provocative image, is almost existential.


"Street photography is an age-old tradition, and also a solitary undertaking. It has been elevated by such luminaries as Robert Frank, Gary Winogrand and Lee Friedlander.
Street photography is an active, confrontational art form where the objective is to see and react to life around you. It is ground zero. No rules".

Street photos are small, quixotic segments of a larger urban landscape.  They are bits of a city—metaphors.  You are developing small narratives with little beginning or end.  Equipment is usually minimal.  Rather it is the heart & mind behind the camera that makes compelling street photographs.  Traditionally we have seen examples by Robert Frank, Eugene Atget, and Andre Kertesz but a new wave is represented by Alex Webb, Martin Parr & Constantine Manos who have changed it forever.

The most adept have so many things to consider every time they point their cameras at something.  As said before it is like juggling.  Besides shutter speed & aperture, you are balancing light, composition, momentum, emotion, etc.  And as you get better you add more balls.

In many places there is a de facto “war on street photography”.  There is a lot more pressure on us.  It is a wonderful tradition but suspicious minds attach some kind of perversion to it.  So as practitioners we have to be more capable to deal with all these factors.


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About This Blog

blog (blŏg, bläg) n. 1. short for Weblog 2. online personal journal with reflections, comments, and often hyperlinks provided by the writer 3. diary that is posted on the Internet 4. an experiment to verbalize my observations about the status of photography. It will be eclectic & deal with philosophy & practice of this universal art form. It will strive for periodic commentary about issues many photographers face, like ownership and the economy. It will also talk about pictures and what makes good ones and how to get them. No hardware. No software. No recycled clichés. No whining.