Two Kinds of Road Warriors

Friday, May 15, 2015







Basically there are two kinds of Road Warriors. The first you may know or, at least, have met. Call him on the phone and he will meet you anywhere in the world that serves food late at night. His name is Jim or Bob something. He is a photographer who travels all the time. Even in the best of circumstances that is no mean feat in today’s atmosphere. He may make a living taking pictures or he may be a trust fund baby. He shoots for magazines, or NGOs, or himself. He may not be smart but he’s smarter than God was at his age. He can be erudite, articulate and his pictures are often stunning.

The second kind of Road Warrior has a name spelled with all consonants or mostly vowels. But you won’t know him anyway. His accent is indistinguishable. And no one knows where he lives or even where he sleeps. But when you see his pictures you recognize them immediately even though you have never seen them before. On any rumored sighting he looks drab in different shades of winter brown.

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Emerson College Exhibit: Final Exposure

Sunday, March 29, 2015


Emerson College is exhibiting my photography
FINAL EXPOSURE: PORTRAITS FROM DEATH ROW
Huret & Spector Gallery
Tufte Building
10 Boylston Street 6th floor
Boston Massachusetts
reception: Friday 3 April 2015
5-7pm

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How I introduced POLAROID to Japan

Saturday, February 28, 2015



How I introduced POLAROID to Japan In the 1980s and early 1990s, I traveled to Japan every year “piggybacking” assignments for a diverse assortment of commercial and editorial entities. By sharing expenses amongst more than one client I could make it worthwhile for them to send me such a huge distance and for a lengthy period of time.

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About This Blog

blog (blŏg, bläg) n. 1. short for Weblog 2. online personal journal with reflections, comments, and often hyperlinks provided by the writer 3. diary that is posted on the Internet 4. an experiment to verbalize my observations about the status of photography. It will be eclectic & deal with philosophy & practice of this universal art form. It will strive for periodic commentary about issues many photographers face, like ownership and the economy. It will also talk about pictures and what makes good ones and how to get them. No hardware. No software. No recycled clichés. No whining.